Mon, 4 January 2016
Happy New Year fam!
Blerd Radio is celebrating 2016...by going back to 1983!
Me (Big Money), Dr. Z and Michael Parr hop in the handy-dandy Blerd Radio time machine (which logged a lot of mileage in 2015) and land in the year that gave us Return of The Jedi and these ten tasty jams from the adult contemporary chart. Of course, no Blerd Radio episode is as simple as just counting down 10 songs, so here's just a sample of what gets discussed over the hour or so you'll (hopefully) spend listening.
-What exactly constitutes a double whiskey? And why is it so dirty?
-Parr is the first of the trio to see Star Wars Episode VII: The Force Awakens, and he has a breathless review.
-Now, it's on to the purpose of the podcast: a trip in the time machine. We dive right in to Air Supply's "Two Less Lonely People In The World" and some very divergent opinions in regards to the Aussie schlockmeisters.
-Jim Steinman, who produced Air Supply's really big hit of 1983 (not "Two Less Lonely People In The World"), also comes up in conversation.
-We compare James Ingram (favorably) to club soda, and discuss how Patti Austin & James' "Baby Come To Me" gained new life as a result of General Hospital.
-Major realization: the same cast of musicians played on a solid chunk of this top ten list, and a lot of them came from Toto. More on them in a minute.
-This particularly impression-heavy podcast features impersonations of Michael McDonald, Barry Gibb, and Paul McCartney. Needless to say, we were all drinking heavily during this recording.
-We give props to our friend Julian Velard, who does a mean version of "Africa" in his live show, and apparently covers Steely Dan's "Peg" as well. (the #7 song is "Africa" and #8 is "I.G.Y. (What A Beautiful World)" by the Dan's Donald Fagen.
-The soap opera bug strikes again with Crystal Gayle & Eddie Rabbitt's "You & I", which gained legs via another ABC serial, and shed some light on that country music capital, Brooklyn.
-Uh, there's a Supertramp song here. No one is particularly enthused.
-The most laborious setup in Blerd Radio history (and that's saying something) leads to our #4 song, Joe Jackson's "Steppin' Out", which was nominated for a Record of the Year Grammy...and lost to Toto. Dang it.
-We discuss whether "Truly" (#3) or "Hello" is Lionel Richie's nadir, and also discuss the sequence of songs that led to "Truly" and "Hello"'s existence. It's a tale of adult contemporary woe.
-Talking about Lionel Richie leads to a discussion about Kenny Rogers, which leads to a discussion about The Bee Gees, which leads to...our #2 song, Dionne Warwick's "Heartbreaker".
-...and then we talk about "That's What Friends Are For" and the Psychic Friends Network. We're not very happy about either of those things. Oh, and someone impersonates a harmonica.
-In conclusion, we celebrate the man who owned 1983 (and has probably taken up more aural space on our podcasts than any other human), the inimitable Michael Jackson. "The Girl Is Mine" is the #1 song on the chart, and the Michael/Macca teaming draws comparisons to other not-quite-sterling pop collabos.
-And that's it! We're back in 2016 (actually, 2015 when this was recorded). You can listen below, or you can stream it on Liberated Syndication. You can also download the podcast in mp3 format to listen to anytime you want, and/or you can follow us on Ye Olde iTunes and have new episodes downloaded to your laptop or phone whenever they pop up.
Thanks for listening and stay tuned for the next Blerd Radio podcast!
Mon, 21 December 2015
We had a lot to say about the best music of 2015; so much so that we wound up splitting the podcast into two parts.
-talk about our favorite singles of the year, with a healthy appreciation for Miguel's "Coffee", Kendrick's "Alight", and the return of Chic. There's also some embarrassment regarding the appreciation of 2015 Justin Bieber, and shouts out to a song called "Drop That Kitty".
Michael Parr also really, really wants you to check out this performance of Mr. Lamar doing "Alright".
Elsewhere, we talk about Janet Jackson's comeback a little more (while also shouting out the surprise return of New Order), we question Dr. Z about the bad white dancing of Popblerd associate Matt Albright, and cap our review of 2015's live performances with a tip of the cap to the mighty Sharon Jones & The Dap-Kings.
A slew of our (formerly) favorite artists vie for the Most Disappointing Album of the Year prize (including Dr. Dre, Beach House and Snoop Dogg), we collectively scratch our heads at artists like Migos and Fetty Wap, and we run through some of our most highly anticipated albums of the new year (like Ra Ra Riot, Sia, David Bowie and more).
The podcast wraps up with a remembrance of artists that passed away in 2015, with a slight detour into Scott Weiland's recent passing and America's bent towards reveling in train wreck behavior. Finally, proving that we all (sort of) talk about things other than music, we give props to Empire (OK, that's technically about music, but whatever), the Purple Stuff podcast, and Ta-Nehisi Coates' Between The World And Me.
Listen in the player below, download the podcast from Liberated Syndication, or give us a rip on iTunes! Enjoy, and happy holidays!!
Mon, 14 December 2015
Ladies and gentlemen, it's that time again.
Trying to sum up twelve months in music is a bit of an arduous undertaking, so this year end podcast is split into two parts. The second installment will arrive in a week.
Part one focuses on 2015's best albums. It was a great year for music, and the panel had a bit of trouble narrowing their lists down (and once that was done, there was much hand-wringing in regards to putting those lists in order!) Ultimately, the three individual lists, while featuring some overlap, offer up a cross-section of music from a wide array of genres: New Orleans jazz meets sad bastard pop, neo-disco and everything in between. That said, the entire panel is also in 100% agreement as to what the year's best album is.
The panel is also in agreement that 2015 was one of the best years for music in recent memory, which made editing individual lists even more of a pain in the ass. Dr. Z, smartly, used his own yearly tradition of making a mix CD for his friends (that you, too, can own if you get in touch with him soon enough) to whittle his list down.
You'll have to listen to the show to get specifics on each album (as well as shout outs to a bunch of records that did not make the list), but here's each panelist's top ten for 2015.
9. Keith Richards "Crosseyed Heart"
7. Carly Rae Jepsen "E-Mo-Tion"
6. Bomba Estereo "Amanecer"
5. Janet Jackson "Unbreakable"
3. Kamasi Washington "The Epic"
2. Christian Scott "Stretch Music"
1. Kendrick Lamar "To Pimp A Butterfly"
10. Disclosure "Caracal"
9. Cee Lo Green "Heart Blanche"
8. Jason Isbell "Something More Than Free"
7. Blackalicious "IMANI Vol. 1"
6. Tame Impala "Currents"
5. Janet Jackson "Unbreakable"
4. My Morning Jacket "The Waterfall"
3. Miguel "WILDHEART"
2. D'Angelo & The Vanguard "Black Messiah"
1. Kendrick Lamar "To Pimp A Butterfly"
10. City & Colour "If I Should Go Before You"
9. Coheed & Cambria "The Color Before The Sun"
8. Disclosure "Caracal"
7. The Internet "Ego Death"
6. Miguel "WILDHEART"
5. Janet Jackson "Unbreakable"
4. Blackalicious "IMANI Vol. 1"
3. The Decemberists "What A Terrible World, What A Beautiful World"
2. D'Angelo & The Vanguard "Black Messiah"
1. Kendrick Lamar "To Pimp A Butterfly"
The Keith Richards documentary "Under The Influence"
Dr. Z's occasionally discussed but fairly well documented hatred of jam bands.
"Black Messiah"'s appearance on 2015 lists even though it was released in 2014.
"You + Me", a sorely underrated 2014 project featuring City & Colour's Dallas Green and pop superstar P!nk.
Why is Sam Smith only tolerable when working with Disclosure?
How becoming a new dad for the third time caused Michael Parr to love Coheed & Cambria even more.
Why all Decemberists fans look alike, and so much more!
Part two will cover the year's best singles, as well as a few words regarding 2015's most notable comebacks, the least-understood musical trends, and a final salute to some of the musicians that left us this year. Just chill...till the next episode.
Wed, 2 December 2015
The penultimate episode of Blerd Radio's 2015 season focuses in on hip-hop, as each member of the panel counts down their 10 favorite emcees of all time. The inspiration for this episode came about because of this Billboard article, and while the piece itself was a source of derision for many, the lists created by me (Big Money), Dr. Z and Michael Parr all shared at least half their content with the Billboard tally.
Before we get to the hip-hop section of the show though, one major musical feat has to be addressed-Adele's monster debut. For the first few minutes of the episode, Adele's success is analyzed. While Blerd Radio podcasts are fairly well-known for intense sidebars, this might be the first time a podcast has ever BEGUN with a sidebar.
Now, it's on to the discussion. Before the panel counts down from 10-1, a few defining factors are discussed. First and foremost, what makes a great emcee? Is it flow? Is it storytelling ability? Is it vocabulary? Is it some intangible "X" factor? Or is it a combination of all those factors? Also tackled the age old question of why some of the greatest technical emcees are saddled with the worst possible production.
New-school hip hop (with a few notable exceptions) is summarily yawned at, with a couple of shots thrown in Drake's direction. The lists' bias towards NYC is also discussed (just as Big Money broadcasts his first show from the tri-state area).
A lengthy discussion about the dearth of quality female rappers follows; as no femcees made any of the top 10 lists (and Billboard's inclusion of Lauryn Hill seems more like forced inclusiveness than a ranking based on true skill).
Next up? The lists. We won't spoil any of the podcast by enumerating the choices in this show summary, but suffice to say you will be surprised by some inclusions/omissions, and you will be completely not surprised by others. The lists are different enough from one another that they provide some interesting discussion.
Stay tuned for the next episode; in which the panel discusses the best music of 2015!
(Also, apologies for some sound quality issues...there was a computer freeze about 2/3 of the way through the episode.)
Mon, 26 October 2015
Hello and welcome to another episode of Blerd Radio.
In 2013 and 2014, we took time to talk about the Rock & Roll Hall of Fame, its induction process, and that year's crop of nominees. While there was talk about retiring the Hall of Fame-cast this year, 2015's crop of nominees resulted in some of our most spirited conversation to date.
Of course it helps that the gang's all here: so join myself (Big Money), Dr. Z, Michael Parr and Mike Cunningham The Packet Man for an episode full of music geekery, along with a few laughs and more than the average episode's share of impressions.
Here's some of what you'll hear on this episode:
Impressions Galore!: The Packet Man brings his comedic A-game to this episode, offering impersonations of RZA, Ice-T and Mike Tyson. The entire panel takes a crack at Ringo Starr, and Parr steals the show with his Donald Duck impression, though.
Not so much Jann Wenner/Nominating Committee Vitriol: The decision was made to not focus too much on the process and give most of our time to the artists that are nominated this year. For your reference, they are:
-Nine Inch Nails
We also place our personal ballots for five artists on the list. Additionally, we talk about the two currently eligible artists we would induct, and stand up for one modern-day artist each who we would place in the HOF.
Man, for an institution none of us is crazy about, we sure talk a lot about it.
Also, The Packet Man discovers a whole world of food bracing courtesy of Chaka-lates, Parr is traumatized by Cheap Trick's smash "The Flame", the panel remains firmly divided on the merits of the Velvet Underground, and there's a lengthy gush about Gwen Stefani and No Doubt. Enjoy!
Mon, 12 October 2015
About a year ago, we recorded a show discussing two legendary pop stars: Madonna and Janet Jackson. Then my Macbook died, taking the podcast with it. The release of Janet's "Unbreakable" album made us realize that it was time to revisit the topic. So, here we are once again, talking Madge and Janet.
Here's some show notes for y'all:
-Between the solid reviews, a #1 debut, and her nomination for induction into the Rock & Roll Hall of Fame, Miss Jackson is having a pretty awesome week.
-Oh hey--Madonna also released an album this year. Two of us were scared away by the song titles and guest lineup. The one of us who did give Rebel Heart a listen didn't come away with the warm fuzzies, exactly.
-Which begs the question; how does one age gracefully in pop music? Is it necessary to keep up with the younger artists, many of whom are influenced by Madonna and Janet?
-Are we unfair to Madonna because she dares to express herself as a sexual being in her fifties, or are we just tired of her doing things seemingly for shock value?
-Does Madonna have a run of albums comparable to Janet's legendary Control/Rhythm Nation/janet/Velvet Rope sequence?
-We do an Unbreakable deep dive. Dr. Z, not wanting to spoil the listening experience, is still waiting for his copy to come in the mail so he can listen.
-Why haven't Madonna and Janet (and many other legendary female artists) been the focus of remaster/reissue campaigns like many of their male counterparts?
-In case you forgot-these ladies also act. Well, you probably haven't forgotten. But we understand if you'd like to.
-We discuss our favorite album by each artist, which sidebars into the alleged Janet Jackson/The Time movie that was discussed in the wake of Control's success.
-Next up: our 3 favorite songs by each artist.
-We wrap up by discussing the most underrated songs or albums by Madonna and Janet, and pay tribute to the guy who was so stoned he called the cops on himself. No, it has nothing to do with Janet Jackson or Madonna, but we do go off on tangents quite a bit. This should be expected!
Mon, 28 September 2015
Greetings, Blerd Radio fans!
In this episode, we're headed to the Multiplex for a discussion of movies about music. It's the first of a two-part discussion (and because we say "fuck linear threads", part 2 will come at a later date...or rather, it won't be the next thing we cover.)
The podcast gets off to a rousing start as we salute the good fortune of our brother Parr (and also send him a get-well shout on account of his recent surgery), leading right into our main topic, which is...
...'90s porn actresses! Oh, wait...
The very beginning of the "rock and roll" film, with shouts sent in the direction of '50s classics "Blackboard Jungle" and "Girl Can't Help It"...seguing into golden era celluloid masterpieces like...uh, "Krush Groove" and "Sgt. Pepper's Lonely Hearts Club Band."
Did "From Justin To Kelly" sound the death knell for the "rock and roll movie"?
How did a movie like "Purple Rain" come off so well when most films in this vein land with a thud? Something about a little-discussed quality called "mystique".
A discussion about favorite films leads into a seven-minute breakdown of the plot synopsis for the Dan Aykroyd/Digital Underground vehicle "Nothing But Trouble"...in which John Candy plays a challenging male/female dual role.
So, what's up with those biopics? And why do so many people pronounce that word incorrectly? Hint: it doesn't rhyme with "myopic".
We are interrupted by The Packet Man's cat, Miles, who sits in on the podcast and calms the panel down with melodic purring for a minute or two.
Great performances in biopics: a surprisingly short list that focuses on Gary Busey's Oscar-winning performance in "The Buddy Holly Story" and Val Kilmer as Jim Morrison in Oliver Stone's "The Doors".
Not so great performances in biopics, which leads to reminiscing about VH-1's mid-Oughts flirtation with Lifetime-esque music bios, including the MC Hammer Story and the misguided casting of comedian Flex Alexander as Michael Jackson. Yes, that Flex Alexander. And that Michael Jackson.
We very quickly talk about "music nerd" films, i.e. "High Fidelity" and "Empire Records", and give props to the King of the Music Nerd flicks; Jack Black.
And...documentaries/concert films? Nah, that's the next podcast. Enjoy this for now! We promise we won't take so long to return!
Direct download: Zack_Stiegler_Michael_Cunningham_on_2015-09-24_at_20.14.mov
Category:Entertainment -- posted at: 9:00am EDT
Mon, 10 August 2015
And now for something completely different...
Our friends at Popdose introduced the Chart Attack format years ago. With their blessing, we have reactivated the brand and are now introducing you to Son Of Chart Attack!
Big Money, Michael Parr (both Popdose and Chart Attack alumni), Dr. Z and Mike Cunningham the Packet Man are hopping in the wayback machine-as they often do-and counting down the top 10 of Billboard's Top Alternative Tracks chart for the week of 7/23/94.
The Top 10 Singles That Week are (in reverse order)
"Big Empty" by Stone Temple Pilots
"Stay (I Missed You)" by Lisa Loeb & Nine Stories
"Selling The Drama" by Live
"Shine" by Collective Soul
"Prayer For The Dying" by Seal
"Girls & Boys" by Blur
"Black Hole Sun" by Soundgarden
"Vasoline" by Stone Temple Pilots
"Come Out And Play" by The Offspring
"Fall Down" by Toad The Wet Sprocket
In addition to discussions about each song, you'll also hear about:
-What each member of the panel was doing during the week in question; and which panelist got his first hint of nookie during the summer of '94.
-How Lisa Loeb spawned the birth of "adorkable".
-The awesomeness (or not) of the '90s alternative rock soundtrack.
-Billy Corgan's litigious nature.
-The one band on this list that each panelist has seen live (it's not who you'd expect).
-The uber-gay Pet Shop Boys remix of the #5 song on this list.
-The creepy, creepy, CREEPY "Black Hole Sun" video.
-The connection between one of the two Stone Temple Pilots songs on this list and parody rock band Green Jelly (admittedly, it's a stretch.)
-Offspring lead singer Dexter Holland and his head full of noodles (as opposed to Noodles, who is another member of The Offspring.)
-Why so many Toad The Wet Sprocket songs have the word "down" in the title.
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Mon, 27 July 2015
We live in an era when misdeeds seem to be amplified-which raises an interesting question. How easy is it to separate great art when the people making the art are creepy/icky/criminal/horrible people?
Intro Music: The Ronettes' "Be My Baby" (this gets explained later in the show.)
Let's break down some of the highlights of the discussion:
-Dr. Z has headed straight to Blerd Studios from the dentists's office, where his oral hygienist proceeded to give him an unwarranted political lesson.
-On the day this show was recorded, "Cosby Show" co-star Joseph C. Phillips posted a thinkpiece online dedicated to this very topic: obviously in reference to his former television father-in-law.
-We wonder if there's a natural sociopathy that comes with being an artist or wanting to be famous? Deep psychological shit here.
-Do we have a different set of standards for creative/famous people than we do for ourselves?
-Does fame breed even more sociopathy? We talk about how celebrity can make one less a person and more a character, and we also wonder what it must be like for someone's sense of self when they're surrounded by sycophants.
-Kanye & Kim: Everyone's most hated rock star (except by us) and his equally hated wife. Does Kanye feed off of the hate? And are feminists who slam Kim K total hypocrites?
-A distinction is made between artists who are just obnoxious (Kanye) and artists who have criminal pasts, with an example being Axl Rose, who wrote "Sweet Child O' Mine" for a woman that he later was accused of beating the shit out of.
-We discuss R. Kelly and his insistence on making overtly sexual music when it's fairly clear that he's some kind of criminal sexual deviant (lack of conviction be damned.)
-Is it easier to forgive sociopathic behavior in our artists when their public image is that of a lunatic? (Example: Ol' Dirty Bastard)
-The Cee Lo Green saga of 2014 is explained to half the panel.
-Death: The Great Equalizer?
-What's the line at which we would no longer support/enjoy an artist's work?
-Why do female artists tend to avoid the same criminal behavior as their male counterparts?
-Hell, are there _any_ artists whose personal lives don't cause us to reconsider their work a little bit? (The Packet Man is severely disappointed when he's told about age-old Bill Withers rumors).
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Mon, 6 July 2015
Piggybacking off of our last episode, in which Mike Cunningham The Packet Man jokingly stated that he was the leader of the Pittsburgh chapter of the NAACP, we (Big Money, Dr. Z, Michael Parr and The Packet Man) decided to do a podcast about cultural appropriation. This is definitely more of a circular discussion (with no real conclusion) than many of our other podcasts, but it's an interesting discussion.
-We discuss what made us finally decide to pull the trigger on this discussion, with a special shout out to "Black-ish"!
-What exacty _is_ cultural appropriation? Big Money and Michael Parr look up two separate definitions that all pretty much boil down to the same thing. We also take a quick second to express disgust at how casually this is treated in the fashion world.
-Why is a panel made up of three straight white guys (and one guy who happens to be black and gay) doing this podcast anyway?
-"Good appropriation" vs. "Bad appropriation", or rather-being legitimately influenced by a culture that's not yours vs. doing it strictly for commerce.
-The beginnings of cultural appropriation as it pertains to music: minstrelsy, vaudeville, Al Jolson, Elvis.
-A lengthy sidebar about The Rolling Stones and songs like "Brown Sugar", which are fairly offensive. Is their manner of cultural appropriation offensive, even though various members have taken pains to credit their forebearers and influences? (this is clearly not an easy question to answer).
-Appropriation of other cultures: Latin culture, gay culture, Eastern culture...
-Most egregious offenders (Eminem, Madonna, Iggy Azalea, Gwen Stefani)
-Particular focus paid to Madonna's somewhat shameless exploitation of multiple cultures, which seemed somewhat natural (or at least appeared to come from a good place) early in her career, but quickly progressed (or regressed) into something more sinister, and certainly less heartfelt.
-When it comes to artists who appropriate, how much responsibility do they have to expose their fans to their influences?
-We finally decide to put one of our longest running gags to rest.
-Finally, what will be the ultimate low point of cultural appropriation?