Mon, 18 May 2015
This time around, we're continuing our discussion about nostalgia that began with the previous podcast. Our focus this time shifts to the music industry's time-honored tradition of repackaging, reissuing and creating deluxe anniversary editions, and how that all trades on nostalgia to generate sales.
Included as part of the discussion:
The team (minus Cunningham for the second straight episode) ponder the exact moment record companies realized "oh shit, we can keep mining our catalog for reissues!"
The tie in with greatest hits compilations is explored, as are themed compilations i.e. "love songs", "dance jams", etc. Big Money mentions the Sly & The Family Stone disco compilation as one of the first instances of this phenomenon. The rest of the panel expresses a morbid curiosity to check this record out.
-Spurred on by a discussion with our friend Steve Cunningham, the team talks about the recent spate of anniversary-related deluxe packages and whether they're worthwhile or anyone even cares (we point to recent packages from Bryan Adams, Tears For Fears and The Spin Doctors as examples)
At what point does the reissue/remaster train stop, in light of digital mastering and the fact that the CD market has shrunk so much?
Which legendary artists still need to have their catalog sonically re-evaluated? Prince, Stevie Wonder and Janet Jackson are at the top of the list.
The panel wraps up by naming their favorite reissues: Dr. Z stumps for Bruce Springsteen's "Darkness On The Edge Of Town" package, Big Money reps for Hip-O's exhaustive Marvin Gaye reissue campaign, and Parr votes for Peter Gabriel's "So".
Part three's coming soon! Stay tuned!!
Mon, 4 May 2015
The Blerd Radio team (Big Money, Michael Parr, The Packet Man & Dr. Z) created a lengthy (and pretty intense) podcast about being record geeks, a topic that's pretty much the reason this podcast even exists. Then Big Money's Macbook shit the bed (why am I talking about myself in the third person?), taking the podcast with it. After a couple weeks to regroup, the team is back and we're talking about another topic near and dear to our hearts: nostalgia.
This article is a good jumping off point for the podcast, as all three panelists (The Packet Man is AWOL for this one) are above the age most people (allegedly) stop listening to new music. I guess a good sub-heading for this show would be "getting older as a music fan".
A good chunk of the podcast also concerns the "music was better when I was a kid" argument, which may not necessarily be so. Particularly when it comes to pop music, there have been equal amounts of great songs and shitty songs for half a century.
Two important musical genres that have come of age along with us are hip-hop and metal. How does the forthright and often aggressive (and sometimes misogynist/racist/homophobic) lyrical content of either genre sit well with us as grown-ups? Does the same discomfort apply to overtly sexual lyrics?
As a music geek, how do you justify loving a piece of music objectively vs. loving it because you associate it with personal memories? (our example in this discussion is Bruce Springsteen's Born In The U.S.A.)
...and because we can, the podcast ends on a Chumbawamba joke, followed by a Vanilla Ice joke.
Thanks for listening and feel free to leave feedback!